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Art rock can also refer to either classically driven rock, or to a progressive rock-folk fusion.[3] Bruce Eder's essay The 🏀 Early History of Art-Rock/Prog Rock states that "'progressive rock,' also sometimes known as 'art rock,' or 'classical rock'" is music 🏀 in which the "bands [are] playing suites, not songs; borrowing riffs from Bach, Beethoven, and Wagner instead of Chuck Berry 🏀 and Bo Diddley; and using language closer to William Blake or T. S. Eliot than to Carl Perkins or Willie 🏀 Dixon."[18]
Many of the top British groups during the 1960s – including members of the Beatles, the Rolling Stones, the Kinks, 🏀 the Who, 10cc, the Move, the Yardbirds and Pink Floyd – came to music via art school. This institution differed 🏀 from its US counterpart in terms of having a less industry-applicable syllabus and in its focus on furthering eccentric talent. 🏀 By the mid-1960s, several of these acts espoused an approach based on art and originality, where previously they had been 🏀 absorbed solely in authentic interpretation of US-derived musical styles, such as rock 'n' roll and R&B.
Author Matthew Bannister traces "the 🏀 more self-conscious, camp aesthetic of art rock" to pop artist Andy Warhol and the Velvet Underground, who emulated Warhol's art/pop 🏀 synthesis. Accordingly: "Warhol took Spector's combination of the disembodiment, 'distance' and refinement of high culture with the 'immediacy' of mass 🏀 cultural forms like rock and roll several stages further ... But Warhol's aesthetic was more thoroughly worked out than Spector's, 🏀 which represented a transitional phase between old-fashioned auteurism and the thoroughly postmodern, detached tenets of pop art. ... Warhol's approach 🏀 reverberates throughout art rock, most obviously in his stance of distance and disengagement." In 1969, the Doors also explored art 🏀 rock genre on their fourth album, The Soft Parade.
Enthusiasm for art rock explorations waned in the mid 1970s. From then 🏀 to the 1990s, art rock was infused within various popular music genres.[3] Encyclopædia Britannica states that its genre's tendencies were 🏀 continued by some British and American hard rock and pop rock artists, and that Brian Eno's late 1970s and early 🏀 1980s collaborations with David Bowie and Talking Heads are exemplary of "the successful infusion of art rock tendencies into other 🏀 popular music genres".[3] Bowie and Eno collaborated on a series of consecutive albums called the "Berlin Trilogy", characterized as an 🏀 "art rock trifecta" by Consequence of Sound, who noted that at the time of their release, "The experimental records weren't 🏀 connecting with audiences on the scale Bowie was used to. ... New Wave had exploded, and a generation of Bowie 🏀 descendants had taken the stage."[71]
Bibliography [ edit ]
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